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The Grand's Series

In mathematics, the infinite series 1 − 1 + 1 − 1 + …, also written

\sum_{n=0}^{\infin} (-1)^n
is sometimes called Grandi's series, after Italian mathematician, philosopher, and priest Guido Grandi, who gave a memorable treatment of the series in 1703. It is a divergent series, meaning that it lacks a sum in the usual sense. On the other hand, its Cesàro sum is 1/2.
One obvious method to attack the series
1 − 1 + 1 − 1 + 1 − 1 + 1 − 1 + …
is to treat it like a telescoping series and perform the subtractions in place:
(1 − 1) + (1 − 1) + (1 − 1) + … = 0 + 0 + 0 + … = 0.
On the other hand, a similar bracketing procedure leads to the apparently contradictory result
1 + (−1 + 1) + (−1 + 1) + (−1 + 1) + … = 1 + 0 + 0 + 0 + … = 1.
Thus, by applying parentheses to Grandi's series in different ways, one can obtain either 0 or 1 as a "value". (Variations of this idea, called the Eilenberg–Mazur swindle, are sometimes used in knot theory and algebra.)
Treating Grandi's series as a divergent geometric series we may use the same algebraic methods that evaluate convergent geometric series to obtain a third value:
S = 1 − 1 + 1 − 1 + …, so
1 − S = 1 − (1 − 1 + 1 − 1 + …) = 1 − 1 + 1 − 1 + … = S,
resulting in S = 1/2. The same conclusion results from calculating −S, subtracting the result from S, and solving 2S = 1.
The above manipulations do not consider what the sum of a series actually means. Still, to the extent that it is important to be able to bracket series at will, and that it is more important to be able to perform arithmetic with them, one can arrive at two conclusions:
  • The series 1 − 1 + 1 − 1 + … has no sum.
  • ...but its sum should be 1/2.
In fact, both of these statements can be made precise and formally proven, but only using well-defined mathematical concepts that arose in the 19th century. After the late 17th-century introduction of calculus in Europe, but before the advent of modern rigor, the tension between these answers fueled what has been characterized as an "endless" and "violent" dispute between mathematicians.

The Golden Number And The Fibonacci Sequence



The golden number or phi is the relation or portion there are between two segments of straight. Can be found not only in geometric figures, if not also in the nature. It’s possible to find this relation in a many works of architecture or in art. For example, “El Hombre de Vitruvio”, drawn by Leonardo Da Vinci and considered a beauty ideal, is proportionate according to the golden number.

The first to make a formal study of the golden number was Euclides, about three centuries before Christ, in his work “Los Elementos”. Euclides defined its worth saying that “one straight line is divided in the entire line it’s to the mayor segment as the major is to the minor”. In the other words, two positive numbers a and b are in golden relation if and only if (a+b) / a= a/b. the valour of this number is irrational and it has an infinite decimal, its approximate worth is 1’6180339887498…

The golden number also is “related” with Fibonacci series. The golden number and Fibonacci series are continuously in the structure of the living creatures. The phi number, for example, relates the amount of male bees and female bees are in the hive, or the disposition of the flower petals. The relationship between the Fibonacci sequence and the golden number is the following:

1:1 = 1
2:1 = 2
3:2 = 1’5
5:3 = 1’66666666
8:5 = 1’6
13:8 = 1’625
21:13 = 1’6153846…
34:21 = 1’6190476…
55:34 = 1’ 6176471…
89:55 = 1’6181818…

To take more terms of the succession and make it quotient, we approach to the golden number. When the terms increased, the quotients approach to phi: 1’6180339887498… 


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  1. This blog is for the subjects of Calculus, Algebra and Communications skills in engineering.  Is the project of these subjects and the uploads  will be on science of mathematics. My degree is Aerospace engineering and most of the uploads will have to do with this topic. 
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